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Have as many traps as you want the more the better. Your audience will wonder how it lasted so long. Make your film as short as possible, but feel ten times the length. You spent it on the traps, so borrow the cheapest hand held camera you can find and film all scenes in one take. The reason these films make so much money is because of their budget. Ensure your actors are human and made of meat and bone if they can scream louder than a toddler hire them forthwith. When you have ninety pages of Horror clichés, you are almost ready to begin. Fill it with profanity and the screams of human beings. Make sure your script consists of lines that would make Sylvester Stallone worried. Then watch the less interesting Hoffman blunder from scene to scene. To let your audience know this, have Tobin Bell dress as a gangster for one scene so that he can embarrass himself. If he possesses any humanity wipe it out immediately! The make him unlikable, arrogant and self-absorbed. Who wants motivation, plausibility and character development? The answer nobody! Ensure your character is as bland as humanely possible. Why change the format when it worked for Saw IV, V and VI. If you are worried that it does, then provide meaningless flashbacks. Ensure your plot is convoluted and does not make sense in the slightest. If Bobby is to make it to the end and save his wife, he will have to push himself to the limit. Whilst Hoffman is out to kill Jill he has to contend with setting up another set of traps for the lying Bobby Dagen and his friends. Jill's attempt to kill him backfired when he found a way out of his supposedly inescapable trap. But first the plot if you can call it a plot.ĭetective Hoffman is still alive.
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Reviewed by rjsf96 3 / 10 How to Kill a Franchise for Good (A Step-By-Step Guide)įor this review I am going to provide a guide as to how you can ensure that a franchise will never continue. Meanwhile, the prominent Jigsaw survivor and leader of a support group Bobby Dagen is abducted with his wife and friends and forced to play a mortal game to save not only his wife, but three of his colleagues as well. However he escapes and Jill meets Gibson and offers to sign an affidavit listing the murders committed by Hoffman. Detective Matt Gibson chases the psychotic Detective Mark Hoffman while Jigsaw's widow Jill Tuck tries to kill him as assigned by her husband.